This post was originally published on Variety.com
You will shortly be re-directed to the publisher's website
There’s an unexpected implication when Antonella Sudasassi Furniss exposes the parameters of her film set at the start of “Memories of a Burning Body,” following lead Sol Carabello into one room to have her makeup done and a gaffer in another arranging the lights for a scene. It isn’t to accept the artifice of the […]